We all learn about the Holocaust when we’re children. I learned about it when I was quite young, in grade school. Childhood lessons on the Holocaust and the persecution of Jews in Germany often center on the most gruesome atrocities, the concentration camps and the ovens and the torture of people.
It is understandable why that is so. These things are so terrible to imagine, they seem to bear repeating to make sure that future generations know they happened.
But they are not the entirety of the horrors of the Holocaust. And there is a danger to the way these atrocities are so often taught to school children. They’re taught in such as way as to isolate them from our current reality, and that is dangerous because when we hear about them, we might believe that we live in a different time, where such things are the product of a madman’s racism, and being so singular, would never happen again.
I like words. Good words are infinitely useful. Personally, I use them to order my universe. Professionally, I use them to define brands, tell stories, educate prospects, and inspire users. As a creative marketer, strategist, experienced writer and editor, I help mission-driven leaders bring their brands to life and achieve their business goals with content. Learn how.
In 2017, I worked with FIGMENT Oakland interns and our communications team to brainstorm and produce a series of longform articles featuring outstanding FIGMENT artists. Together, we developed a content strategy and a plan for interviewing participating artists and creating some in-depth content.
The goal? To build excitement for the 2017 FIGMENT event, and raise awareness in the local community about these San Francisco Bay Area artists.
Since I was a child, growing up in the 1980’s, I have admiringly followed the work and career of Rei Kawakubo. When I was too young to know what, precisely, avant-garde fashion was, I sensed that this designer was doing something special, unique, and somehow, important.
From the pages of W and Vogue, I pieced together an education in the adornment and presentation of the female body as idealized and imagined, often by male designers creating for the pleasure of male gazes. Kawakubo was starkly different in every way: female, Japanese, trained in fine art but not in fashion, and wholly original in her rejection of simplistic prettiness and conventional beauty. Her work lit a fire of possibility in my mind.
The founding fathers did something special when they designed the United States of America, with its branches of government designed to keep one another in check and protect the personal freedoms of individual citizens. For many Americans, though, the Constitution is something of a magical document, and the ideals of freedom and justice amount to some mighty magical thinking. For many Americans, oppression, corruption, human rights atrocities and war are things faced by other people in other countries — here in the USA, we’re protected by that magical document. We’re exceptional. We’re safe.
Timothy Snyder, Professor of History at Yale University, would like you to consider that this magical notion of safety is nonsense, which you may entertain at your extreme peril. On November 15, 2016, Snyder wrote on Facebook, “Americans are no wiser than the Europeans who saw democracy yield to fascism, Nazism, or communism.”
The European history of the twentieth century shows us that societies can break, democracies can fall, ethics can collapse, and ordinary men can find themselves standing over death pits with guns in their hands. It would serve us well today to understand why.
In his book, On Tyranny: Twenty Lessons from the Twentieth Century, Snyder presents the expanded and fleshed-out versions of the 20-point list (from that much-circulated Facebook post) of ways free citizens can protect their liberty and each other in politically unstable and frightening times. This slim volume is packed with ample reasons why we should care about doing so, and chilling, cautionary illustrations from 20th century history.
This 4th of July, as we take a day off to meditate on what makes our country special, let’s also consider how we can keep it. On Tyranny offers grim warning alongside essential hope.
I haven’t been strictly following the weekly structure, but in my own haphazard and meandering way, this year I’ve been happily working and playing through Julia Cameron’s classic book, The Artist’s Way. By that I mean, I’ve been reading it here and there, writing my Morning Pages when I feel like it and sometimes even when I don’t, and whenever I’m feeling “stuck” or uninspired, I turn to the exercises and ideas contained within. I highly recommend this, whatever type of artist or human you happen to be.
A highly meditative take on how to conduct oneself in life and in business with others, Kofman’s book, Conscious Business, contains much to discuss and learn. I picked it up in response to reading an article by Matt MacInnis, the CEO of San Francisco tech firm Inkling, where the book is required reading for all employees.
Having just wrapped up my first experience taking an early stage startup from 1 to 20 employees, and wishing to understand more about how leaders may intentionally create business culture where employees can not only create business value but thrive personally and emotionally as well, Conscious Business felt highly relevant.
Since I swapped my East coast corporate job for West coast startup life, I’ve been struggling to refresh my wardrobe in a way that will keep me comfortable (no matter which coast I’m on), professional (from meetings to yoga class to business trips), and still looking like myself style-wise (something I can’t explain but I know it when I see it).
This is harder than it should be because I want to avoid the biggest problems with modern shopping: In a world choked with “fast fashion” – disposable, poorly-made mass-produced garments that are often 1) made by slaves and children 2) in factories that pollute the Earth, and are often 3) ill-fitting and 4) short-lived style-wise – what’s an ethical fashion-lover supposed to do?