Since the early 2000’s, I’ve been fascinated with artist James Turrell. You might even call me a fangirl. While some look at art like his–art that makes use of so much empty space–and see the Emperor’s new clothes and a whole lot of nothing, I get ecstatically stoked about it. I was pretty damn ecstatic recently when I learned that my visit to Boston last month would allow me time to visit “Into The Light” – the current Turrell exhibition at the Mass MoCA.
Since the 1960’s, Turrell has been exploring the realms of the untouchable: light. Enlisting architecture and LEDs, enclosed and open spaces, negative space and the sky itself, Turrell has sought to take intangible natural forces and make them physical. His works vary in medium, size and shape, yet the impact of a Turrell is an identifiable phenomenon that becomes familiar once you’ve been in their presence. That impact is all-consuming, enveloping and awe-inspiring.
In 2017, I worked with FIGMENT Oakland interns and our communications team to brainstorm and produce a series of longform articles featuring outstanding FIGMENT artists. Together, we developed a content strategy and a plan for interviewing participating artists and creating some in-depth content.
The goal? To build excitement for the 2017 FIGMENT event, and raise awareness in the local community about these San Francisco Bay Area artists.
Since I was a child, growing up in the 1980’s, I have admiringly followed the work and career of Rei Kawakubo. When I was too young to know what, precisely, avant-garde fashion was, I sensed that this designer was doing something special, unique, and somehow, important.
From the pages of W and Vogue, I pieced together an education in the adornment and presentation of the female body as idealized and imagined, often by male designers creating for the pleasure of male gazes. Kawakubo was starkly different in every way: female, Japanese, trained in fine art but not in fashion, and wholly original in her rejection of simplistic prettiness and conventional beauty. Her work lit a fire of possibility in my mind.
I haven’t been strictly following the weekly structure, but in my own haphazard and meandering way, this year I’ve been happily working and playing through Julia Cameron’s classic book, The Artist’s Way. By that I mean, I’ve been reading it here and there, writing my Morning Pages when I feel like it and sometimes even when I don’t, and whenever I’m feeling “stuck” or uninspired, I turn to the exercises and ideas contained within. I highly recommend this, whatever type of artist or human you happen to be.
The 4th Annual FIGMENT participatory community event celebrates Bay Area creativity
Oakland, CA – The organizers of FIGMENT Oakland, the Bay Area chapter of the global participatory art organization, have announced the opening of their art submissions portal in preparation for the 4th annual FIGMENT weekend event on June 10, 2017.
Artists, community organizers and performers of all types are encouraged to submit finished artworks, artworks in progress, concepts, performances, workshops or even games for inclusion in the 2017 event. Unlike many creative events, there is no fee to submit works for consideration, no fee for participation and no fee to attend the event.
A young boy named Theo with a troubled family life survives a horrifying terrorist act in New York City that kills his beloved mother and changes the course of his entire life. So much happens in the lives of Theo, his family and friends over the course of nearly 800 pages that I won’t try to summarize the plot – besides, the twists and turns are best discovered in their own time, and whether or not you predict them, they are delightful.
At its heart, this is a novel about memory and loss, and about art, and the value of things. What could possibly be more important that the concept of value? Love, family, antique objects, singular works of art, the minutes of our lives – what is any of it worth, and how can we know?
A truly extraordinary novel of wide, sweeping historical vision, hope and beauty among the darkest of times and places.
I was gripped for its hundreds of detailed pages and learned a great deal I didn’t know before about a breathtaking array of topics, including: the French and Spanish in Haiti and Cuba, the reverberations of the French Revolution in the colonies, the slave trade in the colonies vs in Louisiana, sugar cane plantation life, New Orleans culture and society around the 1800s and its complex system of caste based on skin color.
San Francisco is known around the world for its quirky, colorful aesthetic and rich history. Just across the East Bay, Oakland is also bursting with creativity, with one of the highest concentrations of artists in the United States! If you’re an artist looking for places to show your work in the East Bay area, here are some 5 great resources that you should definitely have on your radar.
What kind of experiences come to mind when you hear the words “art show” or “art event”?
Did you picture a stark gallery with white walls or a museum filled with precious objects that you aren’t allowed to go near or touch? Maybe a concert or performance where you have to sit still in a chair and you aren’t allowed to talk?
Let’s face it, what most of us think of as the usual “art experience” just isn’t very kid-friendly.